Tuesday, September 13, 2011

Re: [Avid-L2] Re: Path from 720-1080

 

The best way to do this is the suggestion of output-ingest back into FCP via tape or HDSDI from one system to the next. I find that going from DnX to ProRes really screws with the color.

On Sep 13, 2011, at 3:11 PM, Lou Wirth wrote:

> seems logical
>
> On Sep 13, 2011, at 12:03 PM, Dom Q. Silverio wrote:
>
>> How about dropping it in a 1080i sequence and use HQ setting to resize?
>>
>> Dom Q. Silverio
>>
>> On Tue, Sep 13, 2011 at 2:58 PM, Terence Curren <tcurren@aol.com> wrote:
>>
>>> Easiest path would be to pay out of MC and capture in FCP.
>>>
>>> Or play out to tape, then let the deck do the conversion to 1080 and
>>> capture in FCP.
>>>
>>> Or just use reference to compressor.
>>>
>>> --- In Avid-L2@yahoogroups.com, Lou Wirth <loutv@...> wrote:
>>>>
>>>> I have a sequence of material shot 720 and the final project is 720.
>>> Client wants final deliver in ProRes at 1080. What would be the cleanest
>>> path to this? QT ref to compressor or AE? Sorenson? I don't think Adobe
>>> Encoder plays nice with QT ref movies.
>>>>
>>>> thanks
>>>> Lou
>>>> Lou Wirth Productions
>>>> 500Tamal Plaza, Suite 522
>>>> Corte Madera, CA 94925
>>>> www.louwirth.com
>>>> 415-924-9411p
>>>>
>>>
>>>
>>>
>>>
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>>
>> [Non-text portions of this message have been removed]
>>
>>
>
> Lou Wirth Productions
> 500Tamal Plaza, Suite 522
> Corte Madera, CA 94925
> www.louwirth.com
> 415-924-9411p
>
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>
> If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.Yahoo! Groups Links
>
>
>

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