it was made by a graphics company with the Blackmagic 10bit codec i believe. If I'm not wrong, After Effects will tell me if my file is 10bit or not, correct? Are there any better ways to check if a file is 10bit or not?, inside Avid perhaps? That's really annoying if Avid is truncating, especially seeing as i went to so much expense to get that file! :-) So I guess I should be telling them to render out using the Avid codecs then? It's been said before, but that sucks!
Andi
To: Avid-L2@yahoogroups.com
From: brocking@sfu.ca
Date: Mon, 12 Sep 2011 22:10:00 -0700
Subject: Re: [Avid-L2] 10bit workflows revisited...
What was the codec for your original QT? If it was Avid 10-bit media,
and you were able to fast-import it, then you're OK for the first step,
otherwise it was probably truncated on import.
Cheers,
--Michael
On 11-09-12 4:15 PM, ripvanmarlowe2000 wrote:
>
> Had an interesting one today which required a bit of grey matter and I
> remember some discussion about this a while back and i think I've
> managed to keep all my bits in place but does this sound right to people?
>
> Client wants a 59.94 10bit uncompressed QT from a 25fps 1920x1080
> 10bit uncompressed master QT.
>
> Starting with the uncompressed 10bit QT I imported into Avid as 1:1X
> MXF. Played out to 50i HDCAM SR with 10bit checked in digicut tool.
> Reconfigured the SR to play back the tape at 23.98 and format convert
> to 59.94 then captured the 59.94 footage back in to a new 59.94
> project as 1:1x MXF then exported as Same as source QT.
>
> Have i kept all my 10 bits using this workflow? Man those SRW-5500s
> are cool!
>
> Andi
>
>
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