Thanks Christopher, so from that I assume you think 24 is right for this project and not 25? I'll check out those resources too, I had been through some of the avid and 24p.com info but ended up getting a little overloaded and just wondered if anyone had a relatively simple answer and/or established workflow - it seems the subject is much more complex than that though!
On 17 Aug 2011, at 07:40, "Christopher Lowden" <christopher@fearlesstv.com> wrote:
>
> I have over seen over a 100 features shot on film, red or alexa in 24fps in the USA and Europe. 23.97 exists in the pro-am camera market that use a non intra codec (mpeg etc). Avid has a very simple off line / conform workflow for 24fps that is designed for the cinema. Www.avid.com has a dedicated forum that answers all the above questions. Concerning a 24 / 25 fps workflow, to avoid dropframes, the films are played back at 25. As for 23.97 which is virtually exclusively a file based workflow, opening the rushes in vlc will identify the run speed. NEVER TRUST A DOP OR A CAMERA MANUFACTURER FOR THE PLAY RATE.
> Also, there is loads of info on the subject at www.24p.com
>
> --- In Avid-L2@yahoogroups.com, James Whitehouse <james_whitehouse1@...> wrote:
> >
> > Haha!
> >
> > OK OK, but seriously is this something I should be concerned about?
> >
> > The lights I mean, not you guys' sense of humour ;)
> >
> >
> > On 17 Aug 2011, at 02:02, "johnrobmoore" <bigfish@...> wrote:
> >
> > > Or bring it to Terry his nick name is Mr. Flicker Fix in case you didn't know. ;-)
> > >
> > > --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> > > >
> > > >
> > > >
> > > > --- In Avid-L2@yahoogroups.com, James Whitehouse <james_whitehouse1@> wrote:
> > > >
> > > >
> > > > <<how do they avoid flickering with 50Hz light sources?>>
> > > >
> > > > Blink really fast. :-0
> > > >
> > >
> > >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
[Non-text portions of this message have been removed]
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