LOL.
In still photography class back in the day, our teacher said always leave one glaring mistake in there when you do touch up. The client will catch it and be happy and won't go looking for some microscopic piece of dust for you to fix.
PS: He also taught us to flip facial shots as folks are used to seeing themselves in the mirror and something doesn't look right right to them otherwise.
--- In Avid-L2@yahoogroups.com, "David" <k27usa@...> wrote:
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> Back when I was cutting episodic promos, we used to have this one creative director who always, always, always HAD to kill or reject at least one shot per promo. So this producer buddy & I would intentionally insert a special shot, kinda like red meat (which did work) thinking all the while "oh yeah, she'll be all over this shot" -looking back, I'd say 8 out of 10 times, this CD would NOT take the bait. Instead, most times she'd single out some other shot for us to replace. Go figure.
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> To this day I still wonder if somehow, some way, she was on to us ??
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> --- In Avid-L2@yahoogroups.com, "johnrobmoore" <bigfish@> wrote:
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If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.
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