The only way to get 23.976/24 out of the deck is through firewire IIRC. The HDSDI out has pulldown added so it is 59.94 only. It's been a while since I had one to play with but if you can take the HDSDI output into the avid it will give you 59.94. I don't think there is a way to get 23.976/24 out of the HDSDI out of the deck. When I used it I dubbed to another tape to integrate into a 59.94 project when someone had shot with the 24 native Sony format that only plays back on that deck.
--- In Avid-L2@yahoogroups.com, "jaclynlee71" <production@...> wrote:
>
> Hi,
>
> We started shooting a project two years ago on the Sony Z7U. Most of the footage was shot 24p and we offlined it at DV25 in a 1080i/59.94 project, figuring that we would go the broadcast route as opposed to theatrical release.
>
> Now I'm trying to up-res some of the tapes and capturing via firewire. From everything I've read, I thought I would be able to bring it into a 1080i/59.94 project, but I wasn't able to. It would run for about a second before the spinning ball came up. I was able to bring it into a 1080p/23.976 project, however.
>
> If anyone has more experience with the deck, I'd appreciate some input. Did I get something wrong in the menu settings, or can you really not capture a 24p tape into a 59.94 project? (When the tape was inserted, the HDV and 24 indicators lit up. My menu settings were set for iLink, and HDV.)
>
> I'm on a Mac 10.6.2, 10GB RAM, 2x2.6 Ghz Quad-Core Intel, running Avid Media Composer 4.0.5.
>
> Thanks,
>
> Jaclyn
>
If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.
No comments:
Post a Comment