I have over seen over a 100 features shot on film, red or alexa in 24fps in the USA and Europe. 23.97 exists in the pro-am camera market that use a non intra codec (mpeg etc). Avid has a very simple off line / conform workflow for 24fps that is designed for the cinema. Www.avid.com has a dedicated forum that answers all the above questions. Concerning a 24 / 25 fps workflow, to avoid dropframes, the films are played back at 25. As for 23.97 which is virtually exclusively a file based workflow, opening the rushes in vlc will identify the run speed. NEVER TRUST A DOP OR A CAMERA MANUFACTURER FOR THE PLAY RATE.
Also, there is loads of info on the subject at www.24p.com
--- In Avid-L2@yahoogroups.com, James Whitehouse <james_whitehouse1@...> wrote:
>
> Haha!
>
> OK OK, but seriously is this something I should be concerned about?
>
> The lights I mean, not you guys' sense of humour ;)
>
>
> On 17 Aug 2011, at 02:02, "johnrobmoore" <bigfish@...> wrote:
>
> > Or bring it to Terry his nick name is Mr. Flicker Fix in case you didn't know. ;-)
> >
> > --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> > >
> > >
> > >
> > > --- In Avid-L2@yahoogroups.com, James Whitehouse <james_whitehouse1@> wrote:
> > >
> > >
> > > <<how do they avoid flickering with 50Hz light sources?>>
> > >
> > > Blink really fast. :-0
> > >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
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