I seem to recall that if you perform an actual Digital Cut, the system
switches to Full Quality. A crash record goes to whatever quality set
in the timeline.
On 7/26/11, johnrobmoore <bigfish@pacbell.net> wrote:
> I'm not on the same system now but if the quality is set low, yellow and you
> try to output to tape does it know to automatically switch to green mode
> after it forces the necessary renders? I'll check when I'm back on that
> system but it would really be precarious to do a digital cut that was
> compromised because the system was in yellow mode. I'm surprised I haven't
> noticed this before.
>
> --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@...> wrote:
>>
>> It started with Nitris DX. Classic only had full quality all the time with
>> the dedicated 2 streams of RT HD.
>>
>> DX allows you to play a lot more in RT by lowering the quality. Of course
>> you have to render it all to play to tape.
>>
>> --- In Avid-L2@yahoogroups.com, John Moore <bigfish@> wrote:
>> >
>> > I feel like a total Bonehead. I just did a watchdown of an HD show and
>> > it wasn't until the last act someone said are you in low quality mode.
>> > Much to my surprise I was. Traditionally symphony didn't allow a low
>> > quality mode so it hadn't entered my mind to check. I'm on Mac SNDX
>> > 4.0.5. Is this a function that exists on SNDX and not on SN classic?
>> > When did the timeline quality become active? And where has my head been
>> > not to have noticed? Looking for answers to the first two questions.
>> > The last question is something I'll have to figure out for myself. ;-)
>> >
>> > John Moore
>> >
>> > Barking Trout Productions
>> >
>> > Studio City, CA
>> >
>> > bigfish@
>> >
>> > [Non-text portions of this message have been removed]
>> >
>>
>
>
>
--
---
Rob Lawson
System Administrator, ACSR ISIS, Windows & Interplay
CBS News
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