Wednesday, July 27, 2011

[Avid-L2] Re: AMA workflow-DSLR & XD cam EX

 

So here's a quick question (I do work with AMA and XDCAM a lot and avoid these by transcoding early to DNX HD res (220 or 220X, but you can't always do that, and in the interest of being prepared...) when you say you add the same tape number to the AMA clips - where? To the volume folder? To each individual clip? Where are you adding the tape # so it will relink?

--- In Avid-L2@yahoogroups.com, Andi Meek <kwikpasta@...> wrote:
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> You always have to reopen the AMA bins to relink, it's just the way it works. The way i would do it would be to follow Oliver's advice regarding the QT. With the XDCAM EX, open your AMA bins and transcode to your offline resolution. Add a tape number to the offline res clips that relates to the card that the footage was shot on so that you can track it back at conform - date, camera number and roll number works well. Then when ready to online put your sequence in a bin on its own, show reference clips to reveal the clips in the sequence and their unique tape numbers then mount the volumes you need. Now add the same tape number to the AMA clips and relink the sequence. HTH
> Cheers,
> Andi
> To: Avid-L2@yahoogroups.com
> From: scottesmith1@...
> Date: Mon, 25 Jul 2011 11:29:10 +0000
> Subject: [Avid-L2] AMA workflow-DSLR & XD cam EX
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> Does anyone have a good workflow for conforming file based media? I recently worked on a project where I had great difficulty getting the finished sequence to link to the media so it could be transcoded for online. I had to manually open each AMA volume and relink the original bin containing all the file based media master clips. Then I was able to relink the sequence. I also had to manually modify the Canon DSLR clips to enter timecode which was lost in Symphony 5.5. The programme was offlined on a Media Composer 5.0.
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> Thanks, Scott
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