FCP does an ugly job with manipulating stills, and if you get too many in the timeline, it starts to have memory issues. Just saying...
--- In Avid-L2@yahoogroups.com, Mark Myers <MarkM@...> wrote:
>
> I hate to say this on an Avid list - but I've given up on Avid for
> manipulating stills. I use FCP or Premier Pro. Both are much much better.
>
> Mark
>
>
> Owner, Director
> SR Film & Video Productions
> 195 W Broad St
> Salunga PA 17538
> 717-393-5333 ex 142
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>
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>
> On 6/4/11 10:55 PM, Shirley Gutierrez wrote:
> >
> >
> > Stagetools is pretty good, but it's effect timeline is pretty
> > rudimentary, and I don't think it automatically extends media to
> > account for dissolves.
> >
> > Shirley
> >
> > -----Original Message-----
> > From: Jeff Krebs <rockinjeff@... <mailto:rockinjeff%40gmail.com>>
> > To: Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com>
> > Sent: Sat, Jun 4, 2011 1:47 am
> > Subject: Re: [Avid-L2] Pan and Zoom Avid really you can't fix this?
> >
> > Use Stagetools. You won't crash, you'll render fast and you'll have
> > control.
> > and you'll never have to use pan and zoom again.
> > AVX
> > http://www.stagetools.com/
> >
> > On Sat, Jun 4, 2011 at 12:45 AM, John Moore <bigfish@...
> > <mailto:bigfish%40pacbell.net>> wrote:
> >
> > >
> > >
> > > Back in the trenches with a stills heavy season opener and I just can't
> > > fathom the lack of attention Pan and Zoom has been given since it was
> > > introduced. I know the old, "it was made over a weekend by an Avid
> > engineer
> > > to facilitate a home video he was working on" line but it's been out
> > a long
> > > time now. These aren't new but I feel I should reiterate them. When pan
> > > and zoom is already linked to low res stills and there is not slug
> > > underneath there is no prompt to give you still number information
> > to help
> > > find the high res source. This is a real pain. Then when you find
> > the high
> > > res still if all the keyframes are highlighted and you select the
> > still the
> > > move is nuked, you have to make sure only one keyframe is highlighted to
> > > preserve the move. This is not only unintuitive but really lethal
> > when an
> > > AE has relinked the stills and now you have no moves in online. This
> > is as
> > > bad as the 100th auto save bug a while back, or at least close. Then
> > > when you don't redirect the source for the pan and zoom the render
> > requires
> > > a second render to get the full quality. Again this is not intuitive
> > at all
> > > and sometimes it's hard to tell if you need to rerender to get full
> > > quality. The way pan and zoom works is pathetic. I appreciate the
> > ability
> > > to get to the full res stills but really Avid this is the best you
> > can do?
> > > In comparison the Title Tool looks like a Chyron Infinite relative
> > to the
> > > poor implementation of pan and zoom. To be fair moving pictures has it's
> > > quirks but come on Avid help me find the source data without having
> > to take
> > > things off line.
> > >
> > > John Moore
> > >
> > > Barking Trout Productions
> > >
> > > Studio City, CA
> > >
> > > bigfish@... <mailto:bigfish%40pacbell.net>
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> > >
> >
> > [Non-text portions of this message have been removed]
> >
> > ------------------------------------
> >
> > Search the offical complete Avid-L archives at:
> > http://archives.bengrosser.com/avid/
> >
> > If you want to donate to Red Cross quake relief, you can do so through
> > your cell
> > phone. Text redcross to 90999 to make a $10 donation. It will be on
> > your next
> > cell bill.Yahoo! Groups Links
> >
> > [Non-text portions of this message have been removed]
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.
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