I keep coming back to hardware in this conversation. When Symphony was introduced, it was hardware that differentiated it from Media Composer. Uncompressed video, SDI I/O, chips for color correction and then a chip for Ultimatte. With the Nitris Classic gear - also hardware.
Once things have gone to software and an I/O system that works equally well with MC or Symphony, you end up with a software package that includes all the features, but where some of them are disabled or enabled through software keys or other coding. Such artificial restrictions tend to irritate users.
So *how* Avid moves forward is as important as what it actually adds or changes.
- Oliver
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Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.
If you want to donate to Red Cross quake relief, you can do so through your cell phone. Text redcross to 90999 to make a $10 donation. It will be on your next cell bill.
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