Re: [Avid-L2] Re: Client Approvals

vimeo worked well. I paid for an account and security was very good.

On Thu, Mar 31, 2011 at 7:12 AM, mike30fps <mike@30fps.net> wrote:

>
>
> Erik, I've sampled MediaSilo & while the multi-platform capabilities seem
> to be extensive there is no way our small company can justify the price tag.
> Most of the functionality we require is in xprove for a much lower cost per
> month.
>
> My biggest concern is not the technical delivery method of getting a file
> to a client, but my surprise that clients are content to approve spots that
> they have only seen in very compressed formats and have only heard through
> tiny computer speakers.
>
> -Mike
>
>
> --- In Avid-L2@yahoogroups.com, "Erik_Freid" <erik@...> wrote:
> >
> > Hi Mike,
> >
> > Sorry to pimp, but if you will be at NAB check out MediaSilo, our core is
> Asset Management with client review and approval, and we easily take in .MOV
> files.
> >
> > If you want to chat more you can reach me at erik@...
>
> >
> > best,
> >
> > Erik
> >
> > --- In Avid-L2@yahoogroups.com, "mike30fps" <mike@> wrote:
> > >
> > > Hi, I was wondering what everyone was doing about getting final client
> sign-off on masters in this age of email & QuickTime roughcuts? I am finding
> that many clients (in the regional commercial market) are totally
> uninterested in supervising their edit sessions and routinely sign off on
> cuts based on highly compressed QT or h264 movies. I get worried that this
> puts a huge burden on the post house and the editor. If the spot doesn't
> look the same on air or if the wrong ISCI code is used on a slate we no
> longer have a client-side producer to double check the final output. What
> procedures / policies are others using to help share some of the
> responsibility?
> > >
> > > TIA
> > > -Mike
> > >
> >
>
>
>

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