Sunday, April 24, 2011

[Avid-L2] Re: Symphony Nitris DX HD RGB 4:4:4 workflow ?

 

And where exactly do they show their finished product at 10 bit RGB 4:4:4?

--- In Avid-L2@yahoogroups.com, "Fabrice Altman" <fabricealtman@...> wrote:
>
> I'll have to disagree on this. My issue is that 4:2:2 has been designed
> around live action. With graphics, it's impact is visible to the naked eye in some circumstances.
> Higher end clients or low budget ones, a corporate logo is their baby, that's what they care about, and not really the "2K, 4K, 4:4:4" bit.
> With file based workflows, they can now be really picky about pixels...
>
>
> --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> >
> > I wish! The reality is that the higher end clients know they are fine with 4:2:2 DNxHD. It's always the really low budget guys who have to do "2K, 4K, 4:4:4 because that's the best!" even though it will be lucky to get a DVD release...
> >
>

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