Kick the crew, this is no way of shooting.
And, bill the client for the extra work.
(and no, i have not tested Dual eyes, but i a have given the developer some
leads on how Avid works on request, but have never got even a 'thanks')
A 'normal' 5D shoot has timecode on one of the audio channels. Any half
decent BWF recorder can provide it.
Now, if they have shot with a Zoom, check if there are BWF timestamps that
make sense.
If that is the case, there should be a fixed offset between the THM and BWF
files.
If that is the case, contact me and i'll make something that will calculate
all offsets.
Meaning, you only have to sync one or two clips, and i will do all others.
Bouke
VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
www.videotoolshed.com
For large files:
http://dropbox.yousendit.com/BoukeVahl998172
----- Original Message -----
From: "Alan Miller" <ammfx@yahoo.com>
To: <Avid-L2@yahoogroups.com>
Sent: Thursday, March 03, 2011 6:25 PM
Subject: [Avid-L2] Plural eyes
> Has anyone used the new Plural Eyes on Avid.
> I have a ton of 5D footage to sync and have to deal with
> multiple stops and starts of the camera with no slates or clapper
> Alan Miller
>
>
>
>
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