Hey, I think you are on to a new Avid marketing strategy: "All the Innovation of Tomorrow Wrapped in the Old Shit You Love". bingo!
Like making an iPad look like a Victrola! Or vice-versa.
:-)
--- In Avid-L2@yahoogroups.com, Benjamin Hershleder <Ben@...> wrote:
>
> Hopefully all that innovation and improvement will come sooner than later . . . along with the return of the interface customizations we'd grown to enjoy ;)
>
> Cheers,
>
> B
>
> Benjamin Hershleder
> http://ContactBen.com
> http://Hershleder.com
>
> Wear It In Post!
> Fun T-shirts, mousepads, mugs & more
> for Post Production Professionals
> http://www.WearItInPost.com
>
> On Feb 28, 2011, at 4:18 PM, oliverpetersvidy wrote:
>
> > > David Dodson wrote:
> > > Angus and Kirk would've likely won 'Best Editing'
> > > had they cut 'Social Network' on Avid, Premiere,
> > > Lightworks, iMovie or index cards pinned to cork board.
> >
> > Quite true. Except that FCP was their tool of choice, ever since Wall converted his commercial editorial company from Avid to FCP prior to "Zodiac".
> >
> > I full well realize it's the people, not the tools, but there are important milestones in this business. Not necessarily all Oscars. Murch and "The English Patient" was one of them. "Slumdog Millionaire" was another (first Cinematography Oscar with a digital camera). "Oh Brother Where Art Thou" (first full DI). I just think this is another one.
> >
> > - Oliver
> >
> >
>
>
>
> [Non-text portions of this message have been removed]
>
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