As long as the hardware does something significantly better or provides specialized functionality, then Avid can charge more for the hardware and you can hopefully charge more to the client. Where this thinking breaks down is that the client isn't really paying more for anything nowadays.
Steve Hullfish
contributor: www.provideocoalition.com
author: "The Art and Technique of Digital Color Correction"
co-author: "Color Correction for Video: revised edition," "Avid Xpress Pro Editing Workshop" and "Avid XpressDV On the Spot"
presenter: Class On Demand's "Complete Training for Avid Media Composer" AND "Complete Training for Apple Color"
www.classondemand.net/media/final-cut-training/color01.aspx
On Feb 21, 2011, at 11:03 AM, Job ter Burg (L2B) wrote:
> what hardware would that be? Is there any such thing as expensive powerful hardware anymore? Isn't all that power soon to be leaning on technology like Cuda?
>
> Sent from my iPhone
>
> On 21 feb. 2011, at 17:57, Steve Hullfish <steve4lists@veralith.com> wrote:
>
> > . "Symphony" could still have more expensive and more powerful hardware,
>
[Non-text portions of this message have been removed]
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