An MC/Sym mash-up with an improved CC tool and DVE tool would be. Plus it should
be capable of larger-than HD frame sizes. That would cover 90% or more of the
needs in your world. As well as most spots, indie films and corporate video.
- Oliver
Yes! Now you've described my dream product.
I wonder if I'll ever get it?
Best,
Shirley
-----Original Message-----
From: oliverpetersvidy <oliverpeters@oliverpeters.com>
To: Avid-L2@yahoogroups.com
Sent: Mon, Feb 21, 2011 9:00 am
Subject: [Avid-L2] Re: Symphony owners?
> Shirley Gutierrez wrote:
> in documentary there's not a lot of need for complex
> compositing or effects work, and documentary budgets
> would probably rule out paying for a truly high end
> finishing system with a lot of functionality that simply
> isn't relevant.
>
Agreed. And getting back to Job's original point and off of DS, Symphony is
still the best tool for this. It's a good all-purpose tool, but it isn't
head-and-shoulders better than just MC in the current form.
An MC/Sym mash-up with an improved CC tool and DVE tool would be. Plus it should
be capable of larger-than HD frame sizes. That would cover 90% or more of the
needs in your world. As well as most spots, indie films and corporate video.
- Oliver
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