Much cleaner if you do the speed-up.
Sent from my iPhone
On 11 feb. 2011, at 19:48, John Moore <bigfish@pacbell.net> wrote:
> Working on a Nitris DX system not a Symphony, Waaaaaa! So I don't have the universal mastering option, right? We can use mix and match to modify the 24 timeline to 25 and cut it into a 1080 25 project and output that which would add motion adapters and keep the running time the same, am I correct here? Another option would seem to be take one of the 24 frame masters we've already output and set the SR 5500 to 25 and capture that back into the Avid in a 1080P 25 project. This will speed things up the 4.1% but that is typical in these kind of conversions and it seems to me that would be ultimately cleaner if the show doesn't have to run at exactly the same duration. Any suggestions or options I'm missing here?
>
> John Moore
>
> Barking Trout Productions
>
> Studio City, CA
>
> bigfish@pacbell.net
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
>
> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>
> Yahoo! Groups Links
>
>
>
No comments:
Post a Comment