> Shirley Gutierrez wrote:
> in documentary there's not a lot of need for complex
> compositing or effects work, and documentary budgets
> would probably rule out paying for a truly high end
> finishing system with a lot of functionality that simply
> isn't relevant.
>
Agreed. And getting back to Job's original point and off of DS, Symphony is still the best tool for this. It's a good all-purpose tool, but it isn't head-and-shoulders better than just MC in the current form.
An MC/Sym mash-up with an improved CC tool and DVE tool would be. Plus it should be capable of larger-than HD frame sizes. That would cover 90% or more of the needs in your world. As well as most spots, indie films and corporate video.
- Oliver
__._,_.___
MARKETPLACE
.
__,_._,___
No comments:
Post a Comment