If it's just picture (not sound), you can do a same-as-source export (maybe QT ref works too, have never tried), then set IgnoreQTRate True and import into the 25p project. That should fast import with a framerate speedup to 25.
On 11 feb 2011, at 20:54, johnrobmoore wrote:
> Thanks that's what I thought but the producer seems to not want to take the time to recapture all 4 versions so I guess I'll see how the motion adapters work out. Since I don't have a legalizer I'm going to probably have to rerender these modified sequences which will take longer than the recapture. Oh well I'll finally get a chance to play around with this stuff. Just wish it wasn't a 90 minute movie.
>
> --- In Avid-L2@yahoogroups.com, "Job ter Burg (L2B)" <Job_L2@...> wrote:
>>
>> Much cleaner if you do the speed-up.
>>
>> Sent from my iPhone
>>
>> On 11 feb. 2011, at 19:48, John Moore <bigfish@...> wrote:
>>
>>> Working on a Nitris DX system not a Symphony, Waaaaaa! So I don't have the universal mastering option, right? We can use mix and match to modify the 24 timeline to 25 and cut it into a 1080 25 project and output that which would add motion adapters and keep the running time the same, am I correct here? Another option would seem to be take one of the 24 frame masters we've already output and set the SR 5500 to 25 and capture that back into the Avid in a 1080P 25 project. This will speed things up the 4.1% but that is typical in these kind of conversions and it seems to me that would be ultimately cleaner if the show doesn't have to run at exactly the same duration. Any suggestions or options I'm missing here?
>>>
>>> John Moore
>>>
>>> Barking Trout Productions
>>>
>>> Studio City, CA
>>>
>>> bigfish@...
>>>
>>> [Non-text portions of this message have been removed]
>>>
>>>
>>>
>>> ------------------------------------
>>>
>>>
>>> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>>>
>>> Yahoo! Groups Links
>>>
>>>
>>>
>>
>
>
No comments:
Post a Comment