Look, whatever works. Never shuttled film, but did plenty of dailies on 3/4" on up (Ever try to watch something on D2 machine?...nearly impossible to watch). For **my workflow in short form** I don't think shuttling is a way to get to know the footage "intimately". You can miss a blink, a quick look, an inflection...If using tape (the rare instance these days), I will watch each lab roll load in, but the way to really know the footage is to sit and watch it in real time, scrub it, sub-clip it, notate it... If it works for you and Murch, more power to you. But I would not say that this is the "right way" or a better way to tell a story or find new ideas...
--- In Avid-L2@yahoogroups.com, Steve Hullfish <steve4lists@...> wrote:
>
> BTW, I am NOT saying that *I* have more experience and chops, just that there are a lot of very experienced Oscar winning, Emmy winning, brilliant editors that think this is a smart thing. When multiple people tell me something, I have to at least consider that they may be right.
>
> Steve Hullfish
> contributor: www.provideocoalition.com
>
> On Dec 20, 2010, at 3:12 PM, Steve Hullfish wrote:
> > Not buying the wisdom of Murch and others with more experience and chops than you only hurts one person, and it ain't me.
>
>
> [Non-text portions of this message have been removed]
>
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