I won't argue that at all but it's part of the deliverable spec. Go figure.
--- In Avid-L2@yahoogroups.com, "Dave Spraker" <avid@...> wrote:
>
> Sounds like they are asking for phase problems.
>
> Dave Spraker
> Account Executive & Avid Specialist
> Professional Video and Tape
> 503.810.3642 - cell
> <http://www.spraker.tv/blog/> www.spraker.tv/blog/
>
> -----Original Message-----
> From: Avid-L2@yahoogroups.com [mailto:Avid-L2@yahoogroups.com] On Behalf Of
> johnrobmoore
> Sent: Wednesday, December 22, 2010 11:46 AM
> To: Avid-L2@yahoogroups.com
> Subject: [Avid-L2] Re: Mono to Stereo Mixdown how many db down -6 or -3 or
> what?
>
>
>
>
> I'm happy that I'm doing the best I can with a mono fx track to give them
> something to work with down the line. Now when it comes to this thing called
> comp mono or shadow mono where they prep two mono tracks so when summed they
> equal the stereo mix in level I just don't quite get why they don't just
> take a single mono track for the mono needs. Must have something in their
> distribution chain that warrants this dual mono stem.
>
> --- In Avid-L2@yahoogroups.com <mailto:Avid-L2%40yahoogroups.com> , David
> Dawkins <dawk2@> wrote:
> >
> > Yes, well a definite maybe. Are you happy with the mix?
> >
> > DD
> >
> > On 12/21/2010 5:03 PM, John Moore wrote:
> > >
> > > I posted the opposite workflow question a while back. When I take two
> > > stereo tracks, dialoge, vo , effects etc.... and create a mono audio
> > > mixdown I drop the resulting track -6db. This has been confirmed on
> > > this list. When I take a mono track and want to make it stereo do I
> > > drop the mono track -6db when going to each stereo track? I know it
> > > won't be a stereo signal but in my case I have stereo music stems but
> > > only a mono effects stem. I want to create a "stereo" M & E track so
> > > before mixing down the mono effects with each stereo music track I'm
> > > dropping the effects track -6db. If I feed my little behringer
> > > mixboard 0 tone with it panned full left or right when I pan to the
> > > center each track rides about -6db as best I can tell from the led
> > > meter so I'm pretty sure I'm correct. I've read that the audio
> > > ballistics of pan pots can have different curves in fact I think some
> > > of the digital boards even let you decide how the pan pots sum a
> > > signal in the center but that really doesn't seem to apply to my
> > > situation. So is -6db the magic number in this case? My high school
> > > math and electronics class seems like a long time ago every time I
> > > deal with logs.
> > >
> > > John Moore
> > >
> > > Barking Trout Productions
> > >
> > > Studio City, CA
> > >
> > > bigfish@ <mailto:bigfish%40pacbell.net>
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> >
> > --
> > David Dawkins
> > 780-905-9121
> > dawk2@
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
>
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