Try setting up the deck for 24 and see what happens. Some of the decks will play back off speed just without audio.
--- In Avid-L2@yahoogroups.com, "ptr_rhodes" <pmrhodes@...> wrote:
>
> You are right it IS complicated. Fortunately there is no synch audio, otherwise it would be a nightmare.
>
> The thing is that most of the film has already been cut in this 30i Project - using DVCPro footage, shot at 23.98 and pulled down in the camera to 30i.
>
> The plan is to capture from a JH-3. It's a rental so if there's another deck that can play 25P at 24fps we might be able to use it instead. The rental house didn't raise that possibility but maybe they just didn't think of it.
>
> P
>
> --- In Avid-L2@yahoogroups.com, "Job ter Burg (L2B)" <Job_L2@> wrote:
> >
> >
> > That sounds complicated. Cleaner pulldown, but also lowered pitch in audio.
> >
> > Why not edit in 25p, then take that sequence into a 30i project?
> >
> > Or edit at 25p, go to a Symphony and output at 23.976fps to 60i.
> >
> >
> > --
> > Job ter Burg
> > film editor - NL
> >
> >
> >
> >
> > > Thanks, Terry.
> > >
> > > Since my posting someone else has mentioned a totally different workflow -
> > > much more time-intensive and I wonder if folks think there will be a visible
> > > difference in quality:
> > >
> > > Capture to 25P project, export an HD QT (video only - audio exported as WAV
> > > file), import video to a 23.97 project using "ignoreQTrate true" to slow the
> > > video form 25 to 24. Then open bins in the 30i project.
> > >
> > > The conversion from 24 to 30 supposedly will produce a cleaner pulldown. But
> > > is it worth the effort? My footage is mostly MOS so the audio synching issue
> > > isn't a factor though for other instances it adds another big audio synching
> > > step.
> >
>
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