Thanks, Terry.
Since my posting someone else has mentioned a totally different workflow - much more time-intensive and I wonder if folks think there will be a visible difference in quality:
Capture to 25P project, export an HD QT (video only - audio exported as WAV file), import video to a 23.97 project using "ignoreQTrate true" to slow the video form 25 to 24. Then open bins in the 30i project.
The conversion from 24 to 30 supposedly will produce a cleaner pulldown. But is it worth the effort? My footage is mostly MOS so the audio synching issue isn't a factor though for other instances it adds another big audio synching step.
Peter
--- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@...> wrote:
>
> yes you can mix it and then follow the same workflow for uprez at the end.
>
> What you do id open a 25P project to capture your material. Then open those bins in a 30i project and cut away. Avid automatically adds a motion effect to the clip when you cut it into the timeline.
>
> Since you are going from 25P to 30i, it should look fine. Sort of like a film Xfer.
>
> --- In Avid-L2@yahoogroups.com, "ptr_rhodes" <pmrhodes@> wrote:
> >
> > Hello,
> >
> > I am getting a lot of conflicting opinions on this and would really appreciate the L experts to clarify it for me once and for all:
> >
> > Can I edit 1080 25P into a 30i timeline in MC5? This is for offline only. If the answer is yes, what is my workflow for online? Can I send my project to a Symphony or Nitris and still mix the framerates, allowing Avid to do the framerate conversion before outputting to tape? Or do I have to bite the bullet and get 12 hours of 25P converted now before ingest?
> >
> > Thanks for your help?
> >
> > Peter
> >
>
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