Thing is, I'm not sure that too many editors actually know about it. Many of my peers have been completely surprised when I've told them that the feature exists.
Amongst many documentary editors, the whole 'script' view method of putting a sequence together is totally alien, and I think ScriptSync is probably seen by them to be part of that.
I guess that, for many, once you've learned the Avid toolset, it's easy to become a little slow to pickup on new features.
CP
On 12 Jun 2010, at 11:33, "Job ter Burg (L2B)" <Job_L2@terburg.com> wrote:
> "Nigel Gourley" (6/12/10 12:02 PM) :
>
> > Maybe you could look at it another way. I guess 90% of the people using MC
> > don't use script sync so why would they want to pay for a feature they just
> > aren't going to use.
>
> The same goes for many other features.
> Why would video folks pay for Keykode tracking, 24p PAL, RGB color space....
> Etc?
>
> But the darnest thing is: you need to work with ScriptSync before you love
> it. But you have to have it before you can work with it.
>
> --
> Job ter Burg
> film editor - NL
>
>
[Non-text portions of this message have been removed]
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