I have been evangelizing frame rates and resolution to anyone who will listen since I first saw Showscan in a Chuck E. Cheese back in Dallas more than 25 years ago. Forget stereo photography. Anyone who has seen true Showscan (65mm at 60fps) would forget about stereo photography in a millisecond.
And now we don't even have to worry about using film or calibrating projectors. With high resolution digital capture and DCP in theaters we have everything we need in order to do this. We can trash the glasses and have access to all the lenses, focal lengths, cutting rhythms, tools, techniques and the essential vocabulary of cinema without sacrificing diddly squat.
May the good lord in Heaven bless Mr. Ebert. He could not be more correct.
David
On May 3, 2010, at 3:17 PM, tcurren wrote:
> http://www.newsweek.com/id/237110
>
> [Non-text portions of this message have been removed]
>
>
David Dodson
davidadodson@sbcglobal.net
[Non-text portions of this message have been removed]
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