And pull a QC report at the same time.
cheers,
Bogdan Grigoresco
www.finale.tv
--- On Tue, 3/2/10, Greg Huson <Greg@SecretHQ.com> wrote:
From: Greg Huson <Greg@SecretHQ.com>
Subject: Re: [Avid-L2] Semi OT: Surround monitoring
To: Avid-L2@yahoogroups.com
Date: Tuesday, March 2, 2010, 10:10 AM
The problem with the SPL is that it's entirely analog. How do I get
the AES back from the DECK during layback? The 'B' side input of the
SPL is unbalanced, too... eeeww.
It also doesn't have downmix built in, although that can be done in
protools in software... How are you getting audio back from the deck?
gh
----------------------------------------------------
Greg Huson
Secret Headquarters, Inc
Post Production / Production
Culver City, CA
323 677 2092
323 677 2096 F
www.DigitalServiceStation.com
greg (at) SecretHQ.com
www.SecretHQ.com
On Mar 1, 2010, at 6:29 PM, Bogdan Grigoresco wrote:
> SPL2489 - not as fancy as StudioComm, but at around 800$ street
> price gets the job done.
>
> cheers,
> Bogdan Grigoresco
> www.finale.tv
>
> --- On Tue, 3/2/10, Terence Curren <tcurren@aol.com> wrote:
>
> From: Terence Curren <tcurren@aol.com>
> Subject: [Avid-L2] Semi OT: Surround monitoring
> To: Avid-L2@yahoogroups.com
> Date: Tuesday, March 2, 2010, 12:52 AM
>
>
>
> Anyone using one of these for surround monitoring? If so, thoughts?
>
> StudioComm 76 / 77 Surround Monitoring System
>
> Or, what are you using for surround monitoring?
>
> [Non-text portions of this message have been removed]
>
>
>
[Non-text portions of this message have been removed]
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