<<I've seen all independent documentary offline work in my market flip over to FCP,>>
FCP already hit the tipping point. Avid's problem is to try and reverse the trend. They have been doing the right things the last few years, but the question remains whether it is too late.
The last few months has shown over 70 percent of the finishing work coming in for us is now FCP. I have no control over what our clients use for offline, so I have to work with what they bring in. And this is the LA market.
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