Or, if he has already applied a key to the top, use the tracker and track the top. Then select the tracks in the tracker panel and CTL+C (copy). Turn off the tracker in the key. Apply the Symphony warp to the bottom track, open the tracker panel and CTL+V (Paste) and the tracking data from the other effect will be there.
Very simple either way.
--- In Avid-L2@yahoogroups.com, "johnrobmoore" <bigfish@...> wrote:
>
> Sounds like he wants the motion data from the foreground blue screen to effect the background image. Sounds a bit like years back when they came up with a way to control a channel of ADO with data from a camera head shooting a blue screen image. Like a virtual studio tracks the background as the subjects camera move and zooms in and out.
>
> --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> >
> >
> > Not sure I'm following exactly. When you use the tracker, you can select whether it tracks the foreground or the background.
> >
> > Is that what you are asking?
> >
> > --- In Avid-L2@yahoogroups.com, "eyesplice5" <eyesplice5@> wrote:
> > >
> > > Editing on Nitris DX 3.5.9
> > >
> > > I have a blue screen shot with motion reference dots.
> > >
> > > Is there a way to track the foreground motion blue screen shot to a background plate?
> > >
> > > Thanks,
> > >
> > > Ed Salier
> > >
> >
>
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