--- In Avid-L2@yahoogroups.com, Dennis Degan <DennyD1@...> wrote:
>
>
> On Feb 5, 2010, at 1:41 AM, johnrobmoore wrote:
>
> > It is my understanding that the Avid DNX codec is alway considered to
> be 601 not RGB. When you check the RGB for export you are telling QT
> to adjust the video levels from RGB to 601 level when making the QT so
> that when the Avid imports it the levels will always be interpreted as
> 601 and come out right. By definition the DNX codec is 601. You can
> get fouled up if your source is RGB but you check 601 option then it
> will not lower the RGB levels to 601. If you are exporting from an
> Avid timeline that would be 601 space so I don't think it would be
> correct to check RGB on export. If you are exporting captured material
> that too would be 601 level. Am I missing something here. It was just
> last week I read about this and I thought the light had finally turned
> on for me regarding why some imports in Avid codecs don't change no
> matter RGB or 601 on import. Is my light fading, please say it ain't
> so.
>
> John:
>
> I can only tell you that if you export as anything other than RGB from
> Avid, the export will contain elevated black levels. That is my own
> personal experience when doing DNxHD145 1920x1080 Avid exports. If you
> export using 709 (for HD), the QT imported into FCP will have elevated
> blacks. By setting the Avid export's color space to RGB, the video
> levels are correct in FCP. I don't know if this is different from
> doing SD exports using 601; I'm talking about Avid HD exports which
> give you the choice to use 709 or RGB. In this case, RGB works
> correctly.
>
> Dennis Degan, Editor-Consultant-Knowledge Bank
> NBC Today Show, New York
>
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