edit. Yea, this upgrade is happening about 3 months later than it
should. And I suspect that this move from SD to HD is going to get a
bit painful. But I believe that the benefits are going to be worth it
in the end.
Thanks,
Jay
On Jan 4, 2010, at 7:06 PM, johnrobmoore wrote:
> I'm confused too. The imported audio is the variable I have little
> experience with. For the Video you can take a sequence cut in ntsc
> 23.976 and convert it to HD 23.976 and this will modify the souce
> code to 24 frame code the downconverts were made from. Then
> decompose the sequence and recapture from the masters to dnx 36.
> The issues of 30 fps based wave file imports from a Deva are unknown
> and very scary to me. Mommy make all these scary time code monsters
> go away!!!! If you need all the raw material that's a reason I
> could see to go back to you original capture bins and modify those.
> Please keep us informed on what seems to work Jay.
>
> --- In Avid-L2@yahoogroups.com, "Dom Q. Silverio" <domqsilverio@...>
> wrote:
>>
>> Michael
>>
>> I am missing something here. He is coming from 23.976 NTSC to
>> 1080/23.976p @ DNX36.
>> The frame count is the same.
>>
>> I think I misread something here.
>>
>>
>> DQS
>>
>> phillipsm wrote:
>>> I wish it were that easy! The metadata and everything around it is
>>> based on a 30fps base and is part of the clip internal metadata
>>> (MOB, etc.). Just switching the project over to HD will not work
>>> for 23.976/24 - only for formats that are of the same timecode/
>>> edit rate like 25 and 30.
>>>
>>> The START and END need to be within the :00 - :23 frame range.
>>> While your :00 workflow works for the START, it may not be true
>>> for the END. Also durations would need to adjusted because of the
>>> 2:3 pulldown relationship.
>>>
>>> You would need to export an ALE, adjust END to not be higher than :
>>> 23. Don't include "duration" as part of the ALE, that will be
>>> recalculated from the import. Go back to the original V only
>>> master clips.
>>>
>>> Sound TC from your BWF would need to be considered as well. What
>>> was the original timecode rate used in production? If you import
>>> those into a 23.976/24 project, the timecode will be recalculated
>>> to a 24 frame source, but the original 30fps will be lost. If
>>> 30fps is the original rate, you are better positioned and halfway
>>> there. Keep your original BWF bins and import, make sure you
>>> duplicate START into SoundTC. The SoundTC continues to count as 30
>>> even in a 23.976/24HD project, but this is how you will maintain
>>> the original TC and lists for later. Using The 30fps timecode in
>>> the START from a "project tab change" continues to count as 30,
>>> but with no consideration for pulldown - so EDL's will be off if
>>> START is used.
>>>
>>> Rebatch capture from the ALE, resync new subclips and your sources
>>> are fine... Sequences would need to be modified via the "modify
>>> command" then a relink done. Now... I have never tried the relink
>>> at the end to clips that are both tape based (picture) and import
>>> (BWF) so you may be entering new territory there... I remember
>>> this being done on "Gone Baby Gone" and it was painful.
>>>
>>> Michael
>>>
>>>
>>> --- In Avid-L2@yahoogroups.com, "Dom Q. Silverio" <domqsilverio@>
>>> wrote:
>>>
>>>> Since they are the same frame rate,
>>>>
>>>>
>>>> Just change the project format to 1080p/23.976 and batch digitize
>>>> away. The workflow is very similar to NTSC 30i to 1080i/59.94.
>>>>
>>>> Everything else will fall in to place.
>>>>
>>>>
>>>> Dom Q. Silverio
>>>>
>>>>
>>>>
>>>> On Mon, Jan 4, 2010 at 4:02 PM, Jay Mahavier <jay_mahavier@> wrote:
>>>>
>>>>> Ok, I'm told that we have our DX upgrades on order. Once I get
>>>>> them
>>>>> in I'm going to want to move our current project from MXF 3:1 to
>>>>> DNxHD36. Now the project is NTSC/23.976/FilmMatchback. All shots
>>>>> were logged from DVCam downconverts of SR/23.976 camera tapes.
>>>>> Almost
>>>>> all or our clips were logged starting at the even second
>>>>> (xx:xx:xx:
>>>>> 00). All the clips are AutoSync to audio from the RAM disk from
>>>>> the
>>>>> DEVA. We already have sequences cut of a bunch of the material.
>>>>>
>>>>> Is batch digitizing those clips logged as SD into HD as easy as
>>>>> select
>>>>> and batch digitize? Or do I need to modify the master clips to
>>>>> be HD
>>>>> then batch digitize? Or do I need to export a ALE file and
>>>>> reimport
>>>>> it? Am I going to need to resync all my footage? Will the cut
>>>>> sequences relink and update?
>>>>>
>>>>> We will be moving from MC v3 to MC v4.
>>>>>
>>>>> If someone had suggestions or can point me to a link or a page
>>>>> in a
>>>>> manual I would really appreciate it.
>>>>>
>>>>> Thanks,
>>>>> Jay
>>>>>
>>>>>
>>>>> ------------------------------------
>>>>>
>>>>> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>>>>>
>>>>> Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
>>>>> Get your copy todayYahoo! Groups Links
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>
>>>
>>>
>>>
>>> ------------------------------------
>>>
>>> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>>>
>>> Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
>>> Get your copy todayYahoo! Groups Links
>>>
>>>
>>>
>>>
>>>
>>
>>
>> --
>> Dom Q. Silverio
>>
>
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
> Get your copy todayYahoo! Groups Links
>
>
>
------------------------------------
Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
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