Sunday, January 24, 2010

[Avid-L2] Re: A plea for Rec run TC on file based shoots, and to introduce 23.976

In the higher end television workflows you will see a blend of REC RUN and TOD in the workflow. When dailies go through a facility for a basic one light and selects "reel" the START now reflects the selects and the "Tape" - this is the REC RUN version. But each of those clips maintain the original source and TOD timecode from the originals - be it file based or tape. These values get tracked in a variety of columns - TC24, AUXTC24, AuxTC 1-5, etc. Alternate sources are tracked in Camroll or Labroll depending on how may generations need to be tracked. EDL Manager can then output any source TC and Reel combo for online needs downstream. Avid tracks it all. SO it is about getting the best workflow for the production at hand - and while 80% are the same, it can be the 20% differences that kill you! ;)

Michael

--- In Avid-L2@yahoogroups.com, Pierre H <ph@...> wrote:
>
> Bouke said:
> > I am thinking that there is no need to shoot Rec Run tc anymore on
> > file
> > based shoots / workflows.
>
> Definitely. Luckily, I was involved at the early stages of 2 films -
> before shooting - and that's exactly what I asked for: Free run TC
> based on Time of day. One of them being XDCam, I asked my assistant to
> add a 4 digits tape number for each day MMDD (Month/Day) on ingest.
> That way, there is no confusion possible as a same "tape" can't have
> the same TC twice.
> RecRun is very much a tape workflow, but the habit is deeply rooted in
> most departments.
>
> Pierre
>


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