Saturday, January 9, 2010

[Avid-L2] Re: Mixing 1080p and I

Adding 29.97 interlaced footage into a 23.98 timeline will work, however, there are often motion artifacts. This is usually not a good plan for finishing although it will work fine for offline. Putting 23.98 footage into an interlaced timeline works better.

KEN

--- In Avid-L2@yahoogroups.com, "Job ter Burg (L2B)" <Job_L2@...> wrote:
>
> "Chris" (09-01-2010 02:09) :
>
> > Client shoots 1080p 29.97 on ex3. Has 1080i material on tape too.
> > Wants 1080i edit and sd 60i broadcast master.
> >
> > Advice on worflow? Project type? Mixing formats?
>
> Chris,
>
> You own a Symphony, right? So if you bump to v4, you can simply import or
> capture footage in a matching project type. So the 1080/29p would be
> imported into a 1080/29p project. The 1080/60i would go into 1080/60i. Then
> you can create any type of project and open the bins from any of the capture
> projects and instantly cut them into your show. There will be Motion
> Adapters applied automatically and in realtime.
>
> I think that 1080/29p is Symphony-only. So if you don't have a Symph, you
> might need to work around that a bit, by importing it into 1080/60i. There
> was some discussion on that on this list a while ago, don't remember the
> specifics.
>
> --
> Job ter Burg
> film editor - NL
>


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