By the way "Jerks" is such a harsh, although accurate term, I believe the term "Bone Head" has recently been proven on this very list to be a more PC and underutilized phrase. Perhaps this is one of those times.
In the DV world is LP different from both mini DV and DVCam in it's longitudinal tape speed? I know mini DV runs slower than DVCam but has the same data stream. Does LP go even slower. I'm feeling like the vhs 6 hour mode that never worked in professional vhs decks, or should I say high end semi professional vhs decks?
--- In Avid-L2@yahoogroups.com, IAN WILSON <ian@...> wrote:
>
> LP will not play on any PRO machines, but if you a confident that you
> have tested it on the exact camera it was recorded on, then it is
> probably a tape wrap problem. Do any of these jerks ever do a test
> recoding?
>
> Ian Wilson
> Colortape Productions
> Ian@...
> 0418 327 082
> Via iPhone
>
> On 12/01/2010, at 1:01 PM, "johnrobmoore" <bigfish@...> wrote:
>
> > Well it is mini DV which is LP compared to DVCam. Like I posted
> > earlier when trying it in a Panny 1400 I manually set the playback
> > format to; DV, DVCPro and DVCam. In DVCam mode the tape played fast
> > ala keystone cops so that tells me it was recorded at the slower DV
> > tape speed. Unfortunately all the modes still yield the error.
> > Best guess at this point as suggested by Pat is bad tape path on the
> > record deck. Funny that it won't play back in the original camera
> > either. Guess it was just a whacky threading of the tape in the
> > field.
> >
> > --- In Avid-L2@yahoogroups.com, IAN WILSON <ian@> wrote:
> >>
> >> Hmm, still want to know if it was shot LP.
> >>
> >> Ian Wilson
> >> Colortape Productions
> >> Ian@
> >> 0418 327 082
> >> Via iPhone
> >>
> >> On 12/01/2010, at 12:07 PM, "timmangini" <tim_mangini@> wrote:
> >>
> >>> Teranex has a fairly good film repair option that uses adjacent
> >>> pixels to affect repairs. It is quite good, but the more correction
> >>> you dial in, the softer the image gets. Haven't tried it on tape
> >>> errors yet.
> >>>
> >>> tim
> >>>
> >>> --- In Avid-L2@yahoogroups.com, John Moore <bigfish@> wrote:
> >>>>
> >>>> Got a panasonic DV tape that has all sorts of macro/micro block
> >>>> errors. Most are concentrated on the right 1/4 of the frame but
> >>>> there are also sprinkles of drop out blocks randomly throughout the
> >>>> image. We've tried several decks and even the camera that it was
> >>>> recorded on and I'm told they all show the error. Someone
> >>>> suggested a Flame could do some sort of painting out that was not
> >>>> rotoscope. I'm not familiar with this kind of functionality. Is
> >>>> there some process that would be sort of like an automatic version
> >>>> of Avid's scratch removal. Something that would look at adjacent
> >>>> frames to fill in the dropout areas. The blocks of drop outs are
> >>>> black and white squares and sometimes rainbowy colors. Anybody got
> >>>> a device/software suggestion that might help? As I reread my post
> >>>> it sounds like some sort of super automated dust buster is what I'm
> >>>> thinking about. Only with really big dust blocks.
> >>>>
> >>>>
> >>>> John Moore
> >>>>
> >>>> Barking Trout Productions
> >>>>
> >>>> Studio City, CA
> >>>>
> >>>> bigfish@
> >>>>
> >>>> [Non-text portions of this message have been removed]
> >>>>
> >>>
> >>>
> >>>
> >>>
> >>> ------------------------------------
> >>>
> >>> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
> >>>
> >>> Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
> >>> Get your copy todayYahoo! Groups Links
> >>>
> >>>
> >>>
> >>
> >
> >
> >
> >
> > ------------------------------------
> >
> > Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
> >
> > Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
> > Get your copy todayYahoo! Groups Links
> >
> >
> >
>
------------------------------------
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