these cameras. The workflow still concerns me, but that's for another
day. Just a PS, some of the best Photographers I know shoot stills and
guess what they are now doing? This is game changing stuff, ignore it
at your peril.
Ian Wilson
Colortape Productions
Ian@colortape.tv
0418 327 082
Via iPhone
On 23/11/2009, at 5:59 AM, spyder <spyder@spypost.com> wrote:
> We're a commercial and film fx facility and we've finished 3 spots in
> the last two months shot on the 5D. Some bigger spots too, including
> one for the Wii done by Goodby.
>
> Darren
>
> On Nov 22, 2009, at 7:46 AM, oliverpetersvidy wrote:
>
>> John,
>>
>>> johnrobmoore wrote:
>>> Do real day in day out cameramen want to use these hybrid cameras?
>>
>> The answer is yes, but with qualifications. Depends on whether it is
>> appropriate for the job. There are already quite a few real
>> production and broadcast projects being shot with these cameras.
>> Here are some resources:
>>
>> http://philipbloom.co.uk/films/
>> http://philipbloom.co.uk/blog/
>> http://www.artadams.net/
>> http://provideocoalition.com/index.php/aadams
>> http://prolost.com/
>>
>> - Oliver
>>
>>
>>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
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>
> Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
> Get your copy todayYahoo! Groups Links
>
>
>
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