[Avid-L2] Re:So you young whippersnappers might know where we're coming from...

Sounds like the JVC or one of those hacked 3/4s that had a time code head added. Not to forget the BVU-200s where the tension arm was between the TC head and the video drum head. Depending on the tension you could drift quite a few frames even with a lock to time code track. At UCLA I edited my entire Super 8 project on 3/4 and did all the looping on 3/4. Then I sat with a VO-2860 and matched every cut using the pause button. Ended up cutting the dialogue track in video and dubbed it to Mag film. I was one of few students to do sync sound on super 8 without a nagra or a sound super 8 camera. Fot the 15 minutes the sync held up given everything was looped it was watchable. Now my script that's another story.

--- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@...> wrote:
>
> How about the top loading 3/4" decks that had the timecode head 14 frames offset from picture. That one caused me a lot of pain in online....
>

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