Mac Os 10.5.6 SNDX 3.5.4 I'm noticing when a scrub around on motion effects (timewarps) there is a hesitation and the little clock symbol for a second or two

Re: Need some help with FILM (the real thing...)
Export both orig transfer bin and sync bin to excel, copy and paste clip names, import revised bin. PeteO POP Pictures Orlando

Re: Need some help with FILM (the real thing...)
Thanks. I'll see if i can bill the client for this advice. If so, i'll buy you a beer (well, i'll get you drunk) in Utrecht in a couple of days... Bouke

Need some help with FILM (the real thing...)
Guys, I have a client with a question. But i hardly know anything about film. As far as i understand things, i could write a couple of tools that would solve

(now) Great Avid Employees (was) More Marianna Love
I second Terry's praise for Samantha. I was on the phone with her a lot during the early days of the Symphony Nitris and she did a great job of keeping us

Re: Ballpark Figures - cutting a 30 minute live-to-tape show
hmm. Why spend 1800 bucks CC'ing per episode, as you can get a decent tech to do it right the first place for 450 grand total per five episodes? That makes no

Re: Ballpark Figures - cutting a 30 minute live-to-tape show
All good points. For sake of budgetary discussion let's assume that CC is needed and that there are good reasons to recut from the ISOs and not use the

Re: Ballpark Figures - cutting a 30 minute live-to-tape show
Here's a rough stab at what this could cost if it's in a small market I have a good friend who runs a 5 camera live truck. The truck, with out crew crew, goes

Re: Ballpark Figures - cutting a 30 minute live-to-tape show
This highly depends on the quality of the shooting. If there is a shader (i'm not sure if that is correct english, we use it over here for the guy that does

Re: Ballpark Figures - cutting a 30 minute live-to-tape show
Bouke - sounds like pretty neat technology. How does LiveCut work, i.e., how does it obtain its data? As to your other message about CC versus a good video