It also implies my editorial team would need to be 3-4 times the size. Also means last-minute changes just before a screening will take more time.
That, or Avid just gives me 64 or 99 audio tracks.
Sorry, but I the PT argument is as old as this discussion, and it has been a wrong argument since day one.
J
> On 19 okt. 2015, at 10:58, 'Mikeparsons.tv' mikeparsons.tv@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
>
> When the picture editor moves on to another scene he passes the cut to protools. The protools guy takes a brief and builds it out with incidental effects, rough level balancing music, effects and dialogue. He then sends a stereo track to the assistant editor who drops it on the scene master timeline and the show master timeline. This means every presentation has a temp mix in place.
Posted by: "Job ter Burg (L2B)" <Job_L2@terburg.com>
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