Have you considered "Normalize"?
I'd be a little concerned about what it might do to SOME clips, but this would definitely get the peak of every clip to match, and you can set the peak where you want it. However, if there are big hits in the audio, it could lower the levels on the rest of the clip.
Maybe with a good sounding mix, you could do an audio mixdown and apply across the entire track, so that the highest peak in the whole program would hit your number and everything else would be in relation to that.
Steve Hullfish
author, "Avid Uncut"
On Jun 3, 2014, at 6:15 AM, 'Mike Parsons.tv@gmail.com' mikeparsons.tv@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
I am creating MXF OP1a masters for digital distribution in a country
where the louder a spot is the better the mix is considered.
I receive fully mixed 'approved' tracks from clients that vary wildly in
peak levels. I need to be able to guarantee -9dBFS on the final mxf.
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Posted by: Steve Hullfish <steve4lists@veralith.com>
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