And if you didn't record black during the session and relied on the blacked tape you risked a level shift in the black not to mention the potential of a color framing shift down the line if the tape became a source and the preroll for a particular edit started in the pre blacked section of the tape and rolled into the edited video sections. I always relayed all the black sections after color bars to avoid that. And my favorite linear editor was....... ;-)
--- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@...> wrote:
>
> But your recording black was the same thing as inserting filler.
>
> --- In Avid-L2@yahoogroups.com, "Tony Quinsee-Jover" <tony@> wrote:
> >
> > But I wasn't coming from film - I was coming from Linear. So if I wanted a
> > clip followed by a few frames of black, followed by another clip, that's
> > what I recorded - a clip, a space, then a clip. I couldn't understand why a
> > computer required me to place some black on the timeline - it's not like it
> > was a piece of tape or indeed acetate.
> >
> > -----Original Message-----
> > From: Avid-L2@yahoogroups.com [mailto:Avid-L2@yahoogroups.com] On Behalf Of
> > Terence Curren
> > Sent: 06 August 2013 15:23
> > To: Avid-L2@yahoogroups.com
> > Subject: [Avid-L2] Re: DS is EOL
> >
> > --- In Avid-L2@yahoogroups.com, Tony Quinsee-Jover <tony@> wrote:
> >
> > "When I first learned MC (v1) after many years linear editing onto blacked
> > tapes it took me a while to get my head around the logic of HAVING filler
> > ;-)"
> >
> >
> > Not sure why. You created a tape full of filler when you blacked it,
> > then you replaced the filler with video (or not for commercials). With film
> > you had to cut in something.
> >
>
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