We see the moire pattern even in Resolve linked to the Red Raw files playing on the Resolve interface monitor as well as the Program monitor feed HDSDI from the Blackmagic 4K video card. The Resolve colorist has come in and looked and he agrees that it is just the fine lines in the back drop hitting the magic numbers as the wide camera trucks in and passes through these nodes of moire. We were told they did camera tests but perhaps the cameras weren't moving and trucking in like what happened during the actual show taping. Or should I say show filing given it's file based? Tape or no tape I'd like to file somebody over this but heck I don't see any way they could have avoided it given the texture of the backdrop.
--- In Avid-L2@yahoogroups.com, "MarkB" <eatapc@...> wrote:
>
> Is it baked into the Red file or is it an artifact of the downscaling and transcoding? The latter, I assume, so any solution has to start with the source. I'm not an expert, but maybe the debayering settings can be adjusted.
>
> Take care -- Mark B
>
> --- In Avid-L2@yahoogroups.com, John Moore <bigfish@> wrote:
> >
> > In our stage show Red multicamera show there is moire on the back drop on the wider camera. As it trucks in the moire comes and goes when it gets to just the right magic formula of ringing. I tried a slight softening and also adding a slight grain but it's still there. Those tricks lessened it a small amount. Anybody got a magic plugin or technique that helps reduce or eliminate moire?
> >
> >
> > John Moore
> > Barking Trout Productions
> > Studio City, CA
> > bigfish@
> >
> > [Non-text portions of this message have been removed]
> >
>
| Reply via web post | Reply to sender | Reply to group | Start a New Topic | Messages in this topic (4) |
No comments:
Post a Comment