The next question would be can use a panel with it?
--- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@...> wrote:
>
> As a point of reference I've added a DeckLink SDI (US$300) and NVidia
> GTX580 3GB (US$650) to my Z800 to get it up to scratch on Resolve (plus the
> license cost obviously). Also an Avid Artist Color panel (US$1500). That's
> alongside my Avid DX HBA card, FX3800 and 10Gb ethernet - In doing so, of
> course, I've also made my Z800 no longer an Avid certified system (although
> with no obvious ill effects yet).
>
> And of course the workflow from Avid to Resolve is disruptive and
> potentially problematic (unlike grading directly in the timeline with
> Symphony, or potentially Baselight).
>
> Obviously we've just made this investment to make Resolve a usable tool for
> us, but I'll still be keeping a close eye on what FilmLight is doing with
> this.
>
> Dylan Reeve
> http://dylanreeve.com/
>
>
> On Wed, Apr 11, 2012 at 8:33 AM, blafarm <blafarm@...> wrote:
>
> > **
> >
> >
> > Admittedly, without knowing any of the specifics regarding the capability
> > of this MC Baselight plugin -- and solely within the context of a
> > BMD/DaVinci-based solution -- $1,000 (US) would be a very acceptable
> > price-point.
> >
> > The DaVinci Software product is $995, the DeckLink Extreme is $900 -- and
> > then you may have to factor-in the cost of a dedicated computing platform
> > and associated hardware (multiple graphic cards, computer monitors, program
> > video monitor, scopes ...).
> >
> > Of course, this assumes you are not (or cannot) load both the NLE and
> > DaVinci applications/hardware on the same computing platform -- which can
> > be especially challenging from a PCIe-slot point-of-view -- and is flat-out
> > impossible on a laptop workstation.
> >
> > Larger facilities will undoubtedly require a dedicated CC room(s) -- but
> > regardless of workflow, there's something to be said about providing a
> > professional caliber CC toolset on individual workstations (desktop or
> > laptop) -- especially if Baselight offers some type of export feature which
> > can migrate offline CC decisions to a dedicated full-up Baselight CC room.
> >
> >
> > --- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@> wrote:
> > >
> > > Presumably around $1000 - that was FCP version cost.
> > >
> > > Sent from my mobile
> > > On Apr 11, 2012 5:49 AM, "Terence Curren" <tcurren@> wrote:
> > >
> > > > **
> > > >
> > > >
> > > >
> > > > Any idea of cost?
> >
> > > >
> > > > --- In Avid-L2@yahoogroups.com, "blafarm" <blafarm@> wrote:
> > > > >
> > > > > Very good news.
> > > > >
> > > > > Finally, the option of a respectable CC plugin that "lives" inside
> > of MC
> > > > and doesn't require "exiting" the application -- or, for many users,
> > > > additional hardware (DeckLink Extreme).
> > > > >
> > > > > As much as we'd all like to see it -- it's hard to imagine how a 3rd
> > > > party, timeline-based, CC plugin would be able to work in a "source
> > side"
> > > > manner (Symphony) -- but I guess life is full of compromises.
> > > > >
> > > > > It will be interesting to see if BMD is compelled to created
> > NLE-based
> > > > plugins for DaVinci in order to stay competitive.
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > > > --- In Avid-L2@yahoogroups.com, Dylan Reeve <dylan@> wrote:
> > > > > >
> > > > > > Apparently FilmLight will be previewing BaseLight for Media
> > Composer at
> > > > > > NAB...
> > > > > >
> > > >
> > http://www.shootonline.com/go/index.php?name=Release&op=view&id=rs-web4-3484980-1333474257-2
> > > > > >
> > > > > > So it exists. We just needed to wish hard enough, and here it is.
> > > > > >
> > > > > > Dylan Reeve
> > > > > > http://dylanreeve.com/
> > > > > >
> > > > > >
> > > > > > On Tue, Apr 3, 2012 at 4:35 AM, haus <switthaus@> wrote:
> > > > > >
> > > > > > > **
> > > > > > >
> > > > > > >
> > > > > > > So do they put a new CC in Symphony, MC or both?
> > > > > > >
> > > > > > > sw
> > > > > > >
> > > > > > >
> > > > > > > --- In Avid-L2@yahoogroups.com, electropura212 <electropura212@>
> > > > wrote:
> > > > > > > >
> > > > > > > > Avid has been dropping hints that they hear us loud and clear
> > on
> > > > color
> > > > > > > > correction. I don't think they are looking at third party
> > > > solutions...and
> > > > > > > > I doubt the AVX architecture could support a plugin as deep as
> > > > Baselight.
> > > > > > > > I think we'd have it already if it could.
> > > > > > > >
> > > > > > > > J
> > > > > > > >
> > > > > > > >
> > > > > > > >
> > > > > > > > On Monday, April 2, 2012, RobertL wrote:
> > > > > > > >
> > > > > > > > > **
> > > > > > > > >
> > > > > > > > >
> > > > > > > > > I just finished reading this article on the Baselight plug in
> > > > for FCP
> > > > > > > 7.
> > > > > > > > >
> > > > > > > > > http://vanhurkman.com/wordpress/?p=1721
> > > > > > > > >
> > > > > > > > > It seems like a no-brainer that Avid should work with
> > Filmlight
> > > > to
> > > > > > > bring
> > > > > > > > > this to Media Composer. It would instantly bring MC up to
> > snuff
> > > > with
> > > > > > > modern
> > > > > > > > > color correction technology. Perhaps they could even find
> > their
> > > > way
> > > > > > > clear
> > > > > > > > > to have it work in a clip based mode.
> > > > > > > > >
> > > > > > > > > Robert Landau
> > > > > > > > > New Century Films, Inc
> > > > > > > > > Burbank, CA
> > > > > > > > >
> > > > > > > > >
> > > > > > > > >
> > > > > > > >
> > > > > > > >
> > > > > > > > [Non-text portions of this message have been removed]
> > > > > > > >
> > > > > > >
> > > > > > >
> > > > > > >
> > > > > >
> > > > > >
> > > > > > [Non-text portions of this message have been removed]
> > > > > >
> > > > >
> > > >
> > > >
> > > >
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> >
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
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