Thanks for that - that's great and currently my preferred option. I don't understand the term 'stems' in terms of sound though (although someone else is doing my sound mix, but I still like to understand the whole process as much as possible!).
However, I still haven't got a clear answer on any of the camera forums as to whether the FS100 will allow me to set a 1/50 shutter while shooting 24p in it's US variant to avoid any light flicker while shooting in UK. So, just in case it can't - opposite question - if I shoot 25p, is there a way to output 24p if we go to a film print *without* slowing 4% (presumably Bluray supports 25p natively, although not sure if US Bluray players will play 25p discs)?
I guess for the 29.97 DVD/broadcast version pulldown can be added?
On 19 Aug 2011, at 18:45, "Job ter Burg (L2B)" <Job_L2@terburg.com> wrote:
>
> On 19 aug 2011, at 15:21, James Whitehouse wrote:
>
> > We'll initially be showing at festivals digitally projected and on DVD/Bluray.
>
> BluRay supports both 24.00p and 23.976p.
>
> > I still hate the idea of slowing the pace of a movie 4%
>
> Me too.
>
> > What is involved in shooting 23.97 and then transcoding to 24p for film print and 25p for PAL?
>
> Shooting 23.976 and posting 23.976 for a 24fps film print means a slight sample rate conversion when mastering sound. That's all. It's a standard feature on the Dolby Mastering Unit.
>
> For the PAL conversion from there, that depends on how you want to go about it. As said, processing stems is often much nicer than processing an entire 6-track mix with dial, mus and sfx.
>
> J
>
>
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