I think one of the best ways to edit is with your client in your field of view at almost all times. When we designed my first Symphony suite, the client sat at 90 degrees to the editor. I had another suite where we faced. Some of those things are uncomfortable for the editor (you can't show your disgust or shock at their suggestions), but it also allows you to see subtle expressions as they watch the cuts.
I have rarely edited where I watch the same monitor as the client.
Steve Hullfish
contributor: www.provideocoalition.com
author: "The Art and Technique of Digital Color Correction"
On May 13, 2011, at 10:37 AM, glen montgomery wrote:
> Great point Michael about the angle of view for the client. Hopefully by
> making the client monitor more of a focus in the room they can stay on that
> rather than splitting time between that monitor and my displays. Also, my
> thinking is that by standing it will be even easier to interact with them by
> standing side saddle when talking rather than them looking at the back of my
> head so much. Thanks for chiming in.
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