like the motion adapters for mixed framerates) that I could modify and
select shift the anchor point. And it's that workflow that I could see being
the way in to larger-than-frame stuff - have the reformat mode set to
"original size" and then step into it on the timeline to modify the viewport
on it.*
*
*
*That's was I was asking for. Put that option on my whishlist for MC5.5.*
*
*
Agustin Goya
WANCAMP | POST
+54-11-6545-2427
http://www.wancamp.com.ar/
http://www.linkedin.com/in/agustingoya/
http://www.imdb.com/name/nm2339496/
On Tue, Jun 8, 2010 at 10:23 PM, Dylan Reeve <dylan@dylan.wibble.net> wrote:
> Yeah... Nah... Not so much.
>
> But I sort of feel this Reformat option support could the the gateway to
> properly utilising 'larger-than-frame' images in a pan-and-scan way. The
> thing that frustrates me though is the center-cut option. If I put a 4:3
> clip on a 16:9 timeline with the 'Center Cut" reformat mode selected then
> it
> will extract the center of the frame an expand to make it anamorphic
> (exactly the same as putting a Resize with 134% vertical on it) but I have
> no method to reframe that clip - usually in that scenario I actually want
> more of the top of the frame for headroom.
>
> What I'd like to see is a plugin on the shot (sort of automatically applied
> like the motion adapters for mixed framerates) that I could modify and
> select shift the anchor point. And it's that workflow that I could see
> being
> the way in to larger-than-frame stuff - have the reformat mode set to
> "original size" and then step into it on the timeline to modify the
> viewport
> on it.
>
> My other big frustrations (in my article I think) are that I can't modify
> the reformatting mode once I've put the clip on the timeline, and that if I
> modify the source clip it doesn't apply to segments I've already edited
> from
> that clip. To change the format of a clip in the timeline I'd have to
> matchframe, modify the source and the replace the edit, then I'd have to
> find and matchframe all subsequent uses of that clip.
>
> On Wed, Jun 9, 2010 at 10:50 AM, Dave Spraker <avid@spraker.tv> wrote:
>
> >
> >
> > So if you bring in a movie that is higher rez than the project...?
> >
> > Dave Spraker
> > Account Executive & Avid Specialist
> > Professional Video and Tape
> > 503.810.3642 - cell
> > <http://www.spraker.tv/blog/> www.spraker.tv/blog/
> >
> > -----Original Message-----
> > From: Avid-L2@yahoogroups.com <Avid-L2%40yahoogroups.com> [mailto:
> > Avid-L2@yahoogroups.com <Avid-L2%40yahoogroups.com>] On Behalf Of
> > Job ter Burg (L2B)
> > Sent: Tuesday, June 08, 2010 1:56 PM
> > To: Avid-L2@yahoogroups.com <Avid-L2%40yahoogroups.com>
> > Subject: Re: [Avid-L2] MC5, some small stuff
> >
> > "Agustin Goya | Wancamp" (08-06-2010 22:42) :
> >
> > > I thought It would have let me to maintain original resolution of clip
> > and
> > > in case if I switched project type from HD to SD I would disable
> > > Down-scaling, alla DS.
> >
> > Actually, that works when you bring in QT through AMA.
> > If you import a 200x100 pixels QT movie, you can have it appear at its
> > actual pixel size, within the project canvas.
> >
> > --
> > Job ter Burg
> > film editor - NL
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
>
>
>
> --
> Dylan Reeve
> http://dylanreeve.com/
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> Please donate to the Red Cross to help those in earthquake ravaged Chile:
> http://tinyurl.com/y8pgceq
>
> Search the offical complete Avid-L archives at:
> http://archives.bengrosser.com/avid/
>
> Yahoo! Groups Links
>
>
>
>
[Non-text portions of this message have been removed]
------------------------------------
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