certainly how the system identifies the media internally.
It seems that AMA has been made a little more solid in MC5, although I'm not
sure I can really identify how. The ability to link to individual media
files now, rather than just a 'volume' helps.
On Tue, Jun 8, 2010 at 3:08 AM, Robert Lawson <avidrhl@gmail.com> wrote:
>
>
> Dylan,
>
> I haven't experimented with AMA much. Where are those UUID's stored,
> that Avid creates? Is AMA appending the embedded metadata in the
> files?
>
> Some editors I work with are excited by the promise of AMA-based
> editing, but we're still finding the gotchas. In general, it seems
> like AMA works the way it works; not the way they want or imagine it
> works.
>
>
> On 6/7/10, Dylan Reeve <dylan@dylan.wibble.net <dylan%40dylan.wibble.net>>
> wrote:
> > The AMA links should be phased by duplicate names as the AMA indexing
> > process creates a UUID for the clip based on content rather than name,
> much
> > more robust than FCP's filename-only based approach. As long as you tell
> > Avid where to look for the media, it can determine what the clip is,
> > regardless of it's name
> >
> > But, I'm not sure how how that will work in a AMA -> DNxHD -> AMA
> workflow
> > as I tested.
> >
> > On Mon, Jun 7, 2010 at 9:58 PM, Pat <pat@horridge.org.uk<pat%40horridge.org.uk>>
> wrote:
> >
> >>
> >>
> >> In theory it should link back fine.
> >> And that may even be robust nowadays.
> >> However past experience has shown that links can be lost and original
> file
> >> names of some sources can be duplicated over a range of folders.
> >> This is the one weakness that FCP like media management potentially
> brings
> >> to Avid.
> >> My preferred method of dealing with it is to use AMA to link to my raw
> >> source files. Make selects of the material I may need for the edit.
> >> Transcode to the highest format I may need DNX185x possibly.
> >> Take the RAW footage offline.
> >> If the offline system can't handle DNX185 then transcode to SD DV media
> >> and
> >> offline.
> >> Relink to the DNX and output.
> >> AMAs a great tool for fast access and making selects but it's outside
> the
> >> Avid media management and for me that's a weakness I'll do my best to
> >> avoid.
> >>
> >>
> >> --- In Avid-L2@yahoogroups.com <Avid-L2%40yahoogroups.com> <Avid-L2%
> 40yahoogroups.com>, "johnrobmoore"
>
> >> <bigfish@...> wrote:
> >> >
> >> > This may be a dumb question but I'll ask any way. If you AMA the Canon
> >> > 5D
> >> footage and then transcode to DNX 36 for offline will you be able to
> >> relink
> >> to the original files at a higher res for online. I would hope so but
> >> figure
> >> I should ask anyway. Overall my concern is are there AMA paths that
> don't
> >> allow for a recapture down the line. Virtually all my Avid online
> >> workflows
> >> with file based have been with the offline guys using the full res clips
> >> so
> >> there would be no recapture. This was with the early AMA and before AMA
> so
> >> I
> >> want to know what pitfalls are out there.
> >> >
> >> <Excess snipped>
> >>
> >>
> >>
> >
> >
> >
> > --
>
> > Dylan Reeve
> > http://dylanreeve.com/
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ------------------------------------
>
> >
> > Please donate to the Red Cross to help those in earthquake ravaged Chile:
> > http://tinyurl.com/y8pgceq
> >
> > Search the offical complete Avid-L archives at:
> > http://archives.bengrosser.com/avid/
> >
> > Yahoo! Groups Links
> >
> >
> >
> >
>
> --
> ---
> Rob Lawson
> System Administrator, ACSR ISIS, Windows & Interplay
> CBS News
>
>
>
--
Dylan Reeve
http://dylanreeve.com/
[Non-text portions of this message have been removed]
------------------------------------
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