The reason for this is that seqeunces may have aleady been mastered for a particular output and inadvertent changes to a source clip would not auautomatically update - especially in a workgroup environment. For example, if a seqeunce was formated for 4:3 and color corrected for output and signed off on, changing any of those sources would change any one of those seqeuences. Could make versioning more difficult to manage. This feature brings control back to the user on a per sequence level.
Michael
>
> My other big frustrations (in my article I think) are that I can't modify
> the reformatting mode once I've put the clip on the timeline, and that if I
> modify the source clip it doesn't apply to segments I've already edited from
> that clip. To change the format of a clip in the timeline I'd have to
> matchframe, modify the source and the replace the edit, then I'd have to
> find and matchframe all subsequent uses of that clip.
>
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