This is all really good news. Now if they come out with a stand-alone Script sync rig for the producers/writers to use.............
Tony Breuer
--- In Avid-L2@yahoogroups.com, Shane Ross <comeback@...> wrote:
>
> Only the MXO2 mini? I have the MXO2 big daddy.
>
> Shane
>
> Sent from my iPad mini
>
>
> On Apr 11, 2010, at 10:29 AM, Terence Curren <tcurren@...> wrote:
>
> > Now that it's out, do you notice the platforms converging? Do these
> > sound like FCP features?
> >
> > Work Directly with RED Using the Newly Improved AMA
> > With Media Composer 5, AMA (Avid Media Access) has been completely
> > reengineered, so you can work natively with more file-based media
> > formats now and in the future. With the new and improved AMA, you
> > can speed up RED workflows by directly accessing RED files (.R3D) in
> > Media Composer without having to prepare them through MetaFuze (all
> > footage is scaled to HD frame size). Plus, you have access to its
> > full metadata and color management data too.
> >
> > Edit QuickTime Formats Natively
> > Get native access to all popular QuickTime formats, with full access
> > to clip metadata. Thanks to AMA, you can natively access and edit
> > any movie that can be played in Apple's QuickTime Player (including
> > Apple ProRes and .mov files captured by Canon 5D and 7D cameras)
> > right in Media Composer â€" no transcoding, rewrapping, or logging and
> > transferring required.
> >
> > Drag and Drop Video and Audio to Edit
> > Get comfortable â€" with Media Composer 5, you can truly edit the way
> > you like. In addition to the standard way of editing, you can also n
> > ow directly manipulate elements in the timeline to edit video and au
> > dio. Drag and drop clips anywhere you want on the timeline to rearra
> > nge sequences. And grab a clip's in or out point and drag to trim a
> > scene, dialog, or music.
> >
> > Get Full-Quality HD-RGB Processing
> > Keep those finishing jobs in house, and deliver the highest quality
> > color and effects work, with support for full-quality 4:4:4 HD-RGB
> > color space processing in Media Composer. With the higher resolution
> > detail, you can perform color correction, keying, and effects work
> > with greater precision and ease. And if you have a Nitris DX-based
> > system, you can digitize, process, monitor, and output (output in
> > Symphony systems only) projects in HD-RGB, using the two HD SDI
> > connections to handle the high-bandwidth resolutions.
> >
> > Monitor Video Externally through Matrox MXO2 Mini
> > If you don't have a Nitris DX- or Mojo DX-based system, Media
> > Composer 5 opens the door to third-party workflows, enabling you to
> > monitor video externally using the Matrox MXO2 Mini interface, which
> > is available for Mac and Windows systems. When paired with Media
> > Composer software, MXO2 Mini becomes a dedicated, high-quality
> > monitor-only solution for file-based or workgroup production, so you
> > can view your video work in real time without any major expense.
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
------------------------------------
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