[Avid-L2] Re: Making the DX move - Just Prep

Save yourself some time and money and contact someone over at I/O films. They have done all of this testing already. (Yes, they are competition, but credit should go where it is due.)

--- In Avid-L2@yahoogroups.com, Jay Mahavier <jay_mahavier@...> wrote:
>
> at some point over the next year I would really like to try a
> comparison test with a theater nearby that has a Sony SRXR220. Doing
> a test with a full res on-line, a ProRes output, and a DNxHD36
> output. Just to give it all a look see. I would also like to see if
> I can figure out the process of making a JPEG2000 encoded MXF file to
> deliver to that theater system and compare it to a feed from a SR
> tape. Will I actually get to that? I don't know, but I would like to.
>
> jay
>
>
> On Jan 4, 2010, at 9:26 PM, johnrobmoore wrote:
>
> > Stubbornness is the best reason of all. Just seeing if things can
> > be done is where I've learned a lot over the years. I hadn't
> > thought of preview screenings but that makes sense. Would you feel
> > comfortable running DNX 36 with a big Christie projector in say a
> > 500 seat theater? Assuming there was a symphony color pass.
> >
> > --- In Avid-L2@yahoogroups.com, Jay Mahavier <jay_mahavier@> wrote:
> >>
> > And finally, because I
> >> want to and I can be really damn stubborn at times.
> >>
> >> Jay
> >>
> >
> >
> >
> >
> > ------------------------------------
> >
> > Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
> >
> > Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
> > Get your copy todayYahoo! Groups Links
> >
> >
> >
>

------------------------------------

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