keyframe control
(no copy and paste but still usable). The trick is, NOT to save it to
the bin with all the alpha wastage,-
but to send TIFFs with no alpha to a folder outside of MC or Marquee.
The import without alpha is then quite fast.
Resolution independent, and 3D with lighting if you want.
Works for me up to 6K x 6K pixels.
On 17 Nov 2009, at 20:27, guanacaa@aol.com wrote:
> There's a drop down menu in Avid pan and zoom effect editor that
> allows for Guassian and other render treatments. It's still very
> crude, since you can't specify the degree of any of these things,
> but sometimes it helps.
> MP does allow you to move a keyframe, but only by dragging as I
> recall. I'm old, and my arm is shot, so anything interface that
> forces me to drag takes a few minutes off the life of my career each
> time. Still, MP has it's points.
> Shirley
>
> -----Original Message-----
> From: Curtis Nichols <curtisnpcs@sbcglobal.net>
> To: Avid-L2@yahoogroups.com
> Sent: Tue, Nov 17, 2009 9:17 am
> Subject: Re: [Avid-L2] Re: And Now a Word About Online Finishing Pan
> & Zoom
>
> In MP, you can move a keyframe, but only in the MP interface.
> What render types are in P&Z? The MP plugin renders to whatever
> settings you
> specify in the Avid render dialogue. MP does have a draft mode.
>
> Curtis Nichols
> Señor Editor
> PCS Production Co.
> Irving, Tx.
> ------------------
>
> ________________________________
> From: "guanacaa@aol.com" <guanacaa@aol.com>
>
> Moving picture has some good stuff, like rotation, which doesn't
> seem SO much to
> ask. I wish it's effects timeline would grow up, however. What? I
> can't align to
> location by typing an offset? Can't trim a keyframe? And what about
> alternate
> render types, like Avid P&Z?
> Sigh. Why is it so hard to get all the elements of basic photo
> animation in one
> place?
>
> [Non-text portions of this message have been removed]
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book:
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> Links
>
> [Non-text portions of this message have been removed]
>
>
>
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