Re: [Avid-L2] Source code on output

Greg,
I do agree a simple switch in Avid would be handy (and i'm quite convinced
it's an easy job to make it.)
For me, i start making this kind of stuff whenever a client (or me myself)
cannot wait for a company to implement it...
(And this kind of functionality is probably not high on Avids or Apples
agenda, as it is not hip, cool or good looking)

But for you, if you have to do entire disks with continuous TC, your option
is workable enough i would think.

Bouke

VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
www.videotoolshed.com
For large files:
http://dropbox.yousendit.com/BoukeVahl998172
----- Original Message -----
From: "Greg Huson" <Greg@SecretHQ.com>
To: <Avid-L2@yahoogroups.com>
Sent: Thursday, October 15, 2009 2:07 AM
Subject: Re: [Avid-L2] Source code on output

> Great tool - but doesn't really solve my problem. Interesting idea
> about putting the TC into another audio track, too... I can see how
> this could be useful for making tapes from RED source material.
>
> But, more lIterally, this should be a setting on Avid- I'd rather
> avoid a work-around or trick. The LTC out should be switchable to
> source instead of record. Or, put it in VITC - neither seems
> possible, so I was hoping I was just missing the setting somewhere.
> Since I'm using AMA (for P2), modifying the source files would
> completely eliminate the point of this procedure...
>
> In the end, on this particular project, the shooter used continuous
> code, instead of TOD, so the clips were more -or-less sequential and
> could be alt-dragged onto the timeline, then I changed the timeline
> time to match the source time - obvious, duh, but usually file-based
> comes in with TOD timecode, not sequential. I was asking for help
> before I discovered I didn't actually need it. Regardless, I'll have
> the same problem again, so I'm still trying to figure an answer.
>
> gh
> ----------------------------------------------------
> Greg Huson
> Secret Headquarters, Inc
> Post Production / Production
> Culver City, CA
> 323 677 2092
> 323 677 2096 F
> www.DigitalServiceStation.com
> greg (at) SecretHQ.com
> www.SecretHQ.com
>
>
>
> On Oct 14, 2009, at 1:51 PM, Bouke wrote:
>
>> Two options
>> If you can spare the VITC on ingest (no idea about file based), you
>> could
>> use that to slave decks.
>> (perhaps you also want a black box that does VITC to LTC / 422 on
>> the side,
>> will set you back some 600 USD if you don't have one handy)
>>
>> Second option, pay me a bit:
>> http://www.videotoolshed.com/?page=products&pID=44
>>
>> You do need Direct Out and you WILL loose one of your available audio
>> channels.
>> Mail me direct if you want more specific instructions on your
>> workflow.
>>
>> Bouke
>>
>> VideoToolShed
>> van Oldenbarneveltstraat 33
>> 6512 AS NIJMEGEN
>> The Netherlands
>> +31 24 3553311
>> www.videotoolshed.com
>> For large files:
>> http://dropbox.yousendit.com/BoukeVahl998172
>> ----- Original Message -----
>> From: "Greg Huson" <Greg@SecretHQ.com>
>> To: <Avid-L2@yahoogroups.com>
>> Sent: Wednesday, October 14, 2009 8:28 PM
>> Subject: [Avid-L2] Source code on output
>>
>> > How do I get source code from a sequence out of the timecode output?
>> > Doesn't seem to show up on LTC or VITC.
>> >
>> > You can guess what's happening - I need to make tapes of a file-
>> based
>> > shoot, and want the timecode to match.
>> >
>> > gh
>> > ----------------------------------------------------
>> > Greg Huson
>> > Secret Headquarters, Inc
>> > Post Production / Production
>> > Culver City, CA
>> > 323 677 2092
>> > 323 677 2096 F
>> > www.DigitalServiceStation.com
>> > greg (at) SecretHQ.com
>> > www.SecretHQ.com
>> >
>> >
>> >
>> >
>> >
>> > [Non-text portions of this message have been removed]
>> >
>> >
>>
>>
>>
>
>
>
> [Non-text portions of this message have been removed]
>
>

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